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- Grand Hotel
-
-
- (November 24, 1930)
-
- About once a season comes a play so superlative as this.
- People have been going to see Grand Hotel for some time in Max
- Reinhardt's Berlin theatre, elsewhere in Europe. It was written
- by Vicki Baum, staged, directed and produced (with Harry Moses)
- in Manhattan by Herman Shumlin. It is difficult to imagine a
- better translation than that which William A. Drake has made.
- Originally titled Menschen Im Hotel (People in a Hotel), the
- play manages to grasp a large chunk of existence, thrust it into
- a Berlin hostelry, expose it completely. It would be easy to
- demonstrate how Lust, Greed, Despair, Fear, Bravery are pursued
- throughout 36 hours in the life of a hotel and become Love,
- Disgrace, Hope, Birth, Death. But that would be doing precisely
- what Playwright Baum has, with consummate taste and brilliant
- use of understatement, avoided.
-
- The entire performance comes off with a precision and
- smartness that result from a most fortunate collaboration of
- casting, direction, staging, acting. A revolving stage
- facilitates the presentation of the 18 scenes. The smoothness
- with which each episode blends into the whole drama may be
- attributed to Director Shumlin. As the fleshy manufacturer,
- bluffing his way through a merger, Siegfried Rumann is
- convincingly brutal. He looks and performs not unlike Emil
- Jannings. He was an officer in the German army during the War,
- was wounded, acted in The Channel; Road, has sung in Manhattan
- beer halls for a living. The stenographer is played by Hortense
- Alden (Lysistrata), an ingratiating person with an attractive,
- chirrupy voice. Eugenie Leontovich, a beautiful lady who came
- to the U.S. from Russia to dance, turns in an extraordinary
- piece of acting as the danseuse, making instantly credible a
- swift series of emotions and setting a new high for plausible
- stage love scenes. All of these people should be made by this
- show.
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